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The majority of noise was fairly inaudible, but there were some places where a burst of louder clicks was quite distracting. In places the bass and treble levels were in stark contrast and some of the effects and musical elements had been mixed at differing levels in relation to each other to accentuate certain instruments.
In order to get rid of absolutely all the audio noise, much longer sections would have needed to have been replaced in order to hide the obvious transitions between the two versions, and I wanted to retain as much of the original mono track as possible.
The section around Another is around They were in SMPTE Theatre Projection Leader format, with the first cue in each pair shown for 4 frames, then a frame gap, then another 4 frame cue followed by another 18 frames until the end of the reel.
You can see the frame placement details listed below. If you want to know more about Cue Marks, see the Wikipedia entry Here.
End of Reel 1 - Cue Mark 1 starts at I composited together a number of the smoky blank sections of the credits sequence to give a blank canvas.
The quality of the source transfer was too degraded to just splice into the Blu-ray footage, and a little tricky to recreate from scratch, so I used various AVISynth filters to reduce the VHS footage to a solid black title with white background.
I outputted all frames of animation as BMPs and cleaned up any dust, dirt or scratches to leave a clean image.
These were then strung back together with another AVISynth script and used as an image mask in Adobe Premiere over a red solid colour layer, two slightly offset layers to give a black and a white highlight.
This had been digitally painted out of the Blu-ray version, and was replaced with the original shot taken from the Anchor Bay US R1 Ultimate Edition open matte version.
This is the first at Both were flipped back This is the second at This had been digitally painted out of the Blu-ray version, and was replaced with the original shot taken from the Elite Entertainment US R1 Special Collectors Edition.
This was a reel change point so probably accounts for the missing frames. This had all been digitally painted out of the Blu-ray version, and was replaced with the original shot taken from the Elite Entertainment US R1 Special Collectors Edition.
This has all been digitally painted out of the Blu-ray version, and was replaced with the original shot taken from the Elite Entertainment US R1 Special Collectors Edition.
This was then imported into Premiere and replaced the shot at Just to add to the realism, I superimposed a flock of birds flying way off in the distance.
The same shots from both the Elite Entertainment US R1 Special Collectors Edition and the Anchor Bay US R1 Ultimate Edition open matte version looked markedly poor in comparison to the Blu-ray, with an overly bright the sky bleaching out much of the finer detail in the trees.
Instead using either DVD version, the camera wobble was recreated with matching frame-by-frame movements of the Blu-ray original to recreate the un-tweaked shot.
It appeared and faded exactly as per the Blu-ray. Book Of The Dead sunset restored. In addition to revising the main feature, some of the extras also needed some work ranging from full editing to simple re-encoding.
Sections have been digitally restored where possible. While primarily preceded by slapstick comedy films, it served to illustrate that horror was a commercially viable option.
It was syndicated to stations throughout the United States. Circa , he was interviewed by John Stanley, discussing the film and showing a number of his props over two segments totalling six minutes.
Here, you can see both sections transferred from an original VHS recording. This sequence transferred from that Palace Pictures VHS, illustrates those seconds of cuts in comparison to the US theatrical version.
This sequence edited from the Blu-Ray details these differences, in comparison to the US theatrical version. Quality-wise, obviously the blu-ray wins out.
At about 17m 10s, you see a zooming close-up shot of the book of the dead, which then should cut to lightning striking a tree, then an exterior shot of the cabin at night, but the Elite version cuts straight from the book, to the shot of the cabin, leaving out the lightning.
These screenshots are taken from the Japanese Herald Videogram Laserdisc. Zooming close-up shot of the book. Lightning strikes a tree outside.
Exterior shot of the cabin at night. At 35m 55s there is a shot where Cheryl is first possessed and turns round to the group watching with a loud scare chord.
In the original version this is a completely static shot throughout; from her looking out the window, turning round, until it cuts to the next shot.
You can see the difference in zooming from these two screenshots. As detailed above, it does have a number of little tweaks.
As detailed above, this DVD does have a number of little editing changes supervised by Sam during the remastering process, but they are professionally done and most people would be hard pressed to spot them.
The similarities between the two releases are striking, both are replicas of the book made in a brown rubber, although the US version contains pages on the inside, whereas the German release is simply a black blow-moulded shell with the book cover wrapped around it.
This release has the matted widescreen version only, which does suffer from the contrast problem as detailed above, but plays as the original version without any editing tweaks.
If not stored appropriately the latex can degrade over time. It should ideally be stored in a cool room away from sunlight. The DVD disc itself is in a slipcase attached to the last page of the book.
If you intend on using the disc regularly, you might want to keep it in a separate DVD or jewel CD case instead, as sliding it in and out of the slipcase will build up scratches over time, no matter how careful you are.
This box-set brings together a number of previous standalone releases, and comes with a bonus disc. This release also comes with some interesting new extras, a couple of which can only be found in this box-set.